Blank Canvas


May 20, 2024

The 13th annual Plein Air Nantucket festival takes place June 11-16.

ARTS & ENTERTAINMENT

story by Antonia DePace

In 1920, American Post-Impressionist landscape painter Frank Swift Chase visited Nantucket for the first time. Upon his trip, he fell completely in love with the island’s landscape, which prompted him to come back every summer until 1955 to teach the art colony plein air (outdoor) painting. Known for being the founder of the Woodstock Artists Association, as well as the Sarasota School of Art in Florida, Chase is credited with also forming the art colony on Nantucket—during which he taught many of the women who ended up founding the Artists Association of Nantucket (AAN) that we all know today.

Nantucket artists and the AAN continue to honor Chase’s tradition through Plein Art Nantucket. The festival, which celebrates its 13th anniversary this year, June 11-16 was created by plein air painter and former AAN president Robert Frazier in 2013. “The association itself is tied very specifically to the history of plein air painting on Nantucket,” he says, referencing Chase’s storied past. The festival, which is headquartered in the Big Gallery at 12 Straight Wharf, is free for all artists at any level to participate. “So many artists, writers, poets and creatives have long come to Nantucket because of the visual inspiration all around and the sense of place,” explains AAN board member and artist Meghan Weeks. “And what better way to enjoy that than to spend time outdoors, commune with the scenes and really make work surrounded by the inspiration?” 

Annual Paint Out Day (June 12), taking place at Folger’s Marsh, is perhaps one of the largest events, during which three free buses take artists and the public from town to the Shipwreck Museum near the location. Quick Paint Day at two currently unannounced locations follows. “It’s become a tradition where you get to see all your fellow artists out painting on location, and it’s really fun to catch up with everyone and see what they’re doing and feed off of one another’s ideas and interpretations,” explains Illya Kagan, who is a full-time Nantucket resident, plein air painter and AAN member since 1989.


According to Kagan, the idea of plein air painting really circles around capturing the chosen landscape in time. “You may be idealizing the space, but you’re still trying to capture the essence of where you are and what you’re feeling at the time that you’re there,” he says. Overall, plein air paintings provide the island with a history of that location and how it has changed. Weeks adds, “We’re capturing the island as it changes and we’re looking now at a 100-year history where we can really go back and see how much the island has evolved through the eyes of artists.” According to Frazier, participants tend to complete anywhere from three to five works, if not more, during the festival, all of which are hung on the wet wall at the Big Gallery and are available for purchase. Sixty-five percent of the proceeds go to the artist, while the rest is given to the AAN. On the final day of the festival, a closing reception takes place, during which the Frank Swift Chase Awards are announced. Frazier concludes, “[The festival] spreads the word that we’re a strong arts community here. We are a colony—one of the few art colonies with a long tenure.”

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